Table of Contents for Performing the Visual

Performing the Visual
The Practice of Buddhist Wall Painting in China and Central Asia, 618-960
Sarah E. Fraser
Table of Contents for Performing the Visual Emily Berk Christopher Cosner 2 8 2003-12-01T17:22:00Z 2003-12-01T17:22:00Z 1 148 844 Stanford University Press 7 1 1036 9.6926 0 0

Table of Contents for Performing the Visual

Introduction.The Sketch: Historical, Thematic, and Stylistic Issues

1.The Economics of Buddhist Art:Compensation and Organization

2.The Cognitive Practices of the Wall Painter

3.The Influence of the Dunhuang Sketches:Fenben and Monochrome Drawing

4.Banners and Ritual-Practice Diagrams:Two Additional Types of Sketches

5.Performance:Orality and Visuality

6.Sketching, Performance, and Spontaneity in Tang China

Appendix I: Ground Plans and Elevations of Fifteen Cave-temples with The Magic Competition, 862-980 C.E.

Appendix 2: Location of Common Compositions in Grottoes, 862-980 C.E.

Appendix 3:

Table A: Measurements of The Magic Competition Murals and Sketches

Table B: Measurements of Raudraksha and Sariputra in The Magic Competition

Table C: Height of Subsidiary Figures Depicted Near Raudraksha’s Dais in The Magic Competition

Appendix 4: Sets of Near-Identical Banners

Notes

Bibliography

Character List

General Index

Index of Paintings and Manuscripts Cited

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