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What grounds the fictional world of a novel? Or is such a world peculiarly groundless? In a powerful engagement with the latest debates in novel theory, Daniel Wright investigates how novelists reckon with the ontological status of their works. Philosophers who debate whether fictional worlds exist take the novel as an ontological problem to be solved; instead, Wright reveals the novel as a genre of immanent ontological critique.
Wright argues that the novel imagines its own metaphysical "grounds" through figuration, understanding fictional being as self-sufficient, cohesive, and alive, rather than as beholden to the actual world as an existential anchor. Through philosophically attuned close readings of novels and reflections on writerly craft by Thomas Hardy, Olive Schreiner, Colson Whitehead, Virginia Woolf, Zadie Smith, Henry James, and Akwaeke Emezi, Wright shares an impassioned vision of reading as stepping into ontologically terraformed worlds, and of literary criticism as treading and re-treading the novel's grounds.
—Adela Pinch, University of Michigan
"In this lyrical and intimate book, Wright invites us to look again at what metaphors of fictional being might do. Reconfiguring the metaphysics of the novel across time, he lays new groundwork for the intersection of personal and philosophical criticism."
—David James, University of Birmingham
"This is a bold ontological reframing of the novel—not a problem to be solved, but a world to be explored. Highly recommended."
—S. J. Shaw, CHOICE
"Daniel Wright's fascinating new study The Grounds of the Novel argues that novel worlds have even stranger ontological foundations than ours.... This book examines what lies 'all the way down' beneath novels, bearing up the soil on which characters walk. For Wright, the strange ontological foundations of novelistic worlds become a 'resource' for thinking through our own ambiguities and ethics of being."
—Timothy Gao, Review 19
"When I say that Daniel Wright's The Grounds of the Novel is a foundational, field-(re)defining study, I mean to do more than applaud Wright for intervening so effectively into novel studies and studies of literature and philosophy—though this book does provide tools we might use to rebuild both those enterprises from the ground up. I am also referencing the ambitious redescription of the novel genre this book offers as it highlights the ontological preoccupations of realist writing."—Diedre Lynch, Critical Inquiry
