A Movement's Promise

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With this book, Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation.
The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.
—Jisha Menon, author of Brutal Beauty: Aesthetics and Aspiration in Urban India
"Palestine has been, and remains, a global epicenter of insurgent theater.With depth and authority,Samer Al-Saber tells the story of a vibrant theater culture under occupation, but not obsessed with occupation.Illuminating, critical, and timely, this is cultural history at its best."
—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination
"Samer Al Saber's A Movement's Promise is a pioneering history of modern Palestinian theater in its 'golden years' of the 1970s, when it was a principal instrument of cultural resistance. Its use of previously unavailable archival material renders it an indispensable source for researchers and social historians of culture in the Arab World."
—Salim Tamari, author of The Great War and the Remaking of Palestine